#weekly update is posted

[yuesya]

Update!

New chapter for zenith of stars is up!

Chapter 64 (update #68) has been posted.

FFN | AO3 | SB

[mail-me-a-snail]

TRUE BLU v.

Are you there? Say something.

the final chapter of true blu is now UP!!! it's hard to believe we've finally made it here ;u; when i set out to write this fic, there were plenty of times when i wanted to throw in the towel and call it quits...but im really glad i stuck to it :'3 im proud of this fic and all y'all's support made it possible !!

so here we are at last. as always, comments are appreciated <3

[egberts]

my german lego city guy just made lego weed for the lego mafia to grow in the abandoned lego warehouse

[deluls]

jujutsu kaisen | 呪術廻戦 episode one: ryomen sukuna

[beannary]

I know I've been absent for a lot of this summer but I have still been drawing and I have a few TLP updates so I'm going to be releasing one this Friday! Yippee!!!!

[grimae]

Just what it says on the tin. https://asmogrimae.substack.com/

The Book of the Sun is pretty much print ready and finished. I'm currently working on setting up a campaign to make this labor of love real. If you are interested in supporting me, please consider signing up! The newsletter is free.

[cornsyrupfromhell]

prev/first next all

[lilacxquartz]

Don’t Make Me Feel Alive | Chapter 1

kenjaku x f!reader

plot: diagnosed at an early age with an illness that slowly deteriorated your body; you went from being a promising sorcerer to a retired husk of your once former self until he found you, offering you an opportunity to live instead—not that you had a choice to refuse.

chapter summary: you used to be so powerful before your illness claimed you and right on your deathbed, rather than finally meeting your end, you met your salvation instead. or did you?

themes: yandere, chronically ill reader, forced dynamic, non-con, dub-con, violence, caretaking, unrequited feelings, sorcerer reader, dead-dove, mixed pov, potential interpretations of dubious sorcery, spoilers

AO3 Link • Chapter Directory • Next Chapter >

1. Beginning

You were born with a disease; a terrible one too.

At first, you didn’t really notice it in your youth as the progression was initially subtle, the signs not really quite there just yet and for that duration, you were bustling with potential, a promising sorcerer with a powerful technique—a future so bright and aglow with promise.

However, all good things must come to an end and that’s exactly where you were headed.

Even if you were once sculpted with such strength and vibrancy—the illness drained away all the colour from your once saturated existence, replacing your present day life with a film of bleak monochrome, anchoring away at your body, soul and mind.

Not even your cursed technique known for its electrifying power was capable of reigniting the spark lost within you; your body relented against you, forcing you to succumb and deteriorate with not a single thing you could do.

It was a little humiliating in a way—like a bitter pill that you weren’t quite ready to swallow and yet here you were, forced to face reality whether you wanted to or not.

It felt strange being on your deathbed in your mid twenties, but it wasn’t all too bad.

The doctor who oversaw you did her best to offer comfort, assuring you that it likely wasn’t your time just yet, but she didn’t feel what you did, she didn’t understand your body the same way that you did. It was close, almost time for you to go, but strangely you didn’t quite mind. Whether it was your final week or your final day, you felt excited; you wanted to rest.

This was a sickness that made you feel weak after all, so tired and terribly sore.

So when you felt that strangely alluring pull invite you to a place you probably shouldn’t quite tempt going to just yet, you found yourself unable to resist the promise of a good sleep. Maybe even, with some luck, it could last forever and you would never have to live out your days in pain again.

To finally be devoid of suffering.

To drift off into oblivion, lost in an eternal void.

And yet, as you succumbed to the total darkness that otherwise awaited you, there was a strange sensation that manifested in the waking world—an interference of some kind? It felt as though unseen hands reached out to grab you, interrupting you from going under a final time and pulling you back to the surface, forcing you to live another day.

Your eyes reluctantly opened, feeling that something was off.

You were being monitored—watched by something, someone.

Your eyes focused on the person who stood before you, meeting with his chilling gaze from a stare so vacant and devoid of humanity, that he could have been the devil himself.

The stranger greeted you with cold indifference, bordering contempt as he continued to guide his gaze, the palms that he had initially planted firm against your chest now slowly moving away, having successfully done something that you couldn’t quite understand; your body still felt sore and yet, the pull of the void wasn’t so strong anymore.

Did he just give you life?

“It would be such a waste of a good technique if you were to die right now, you know,” the stranger spoke, his voice calm and deliberate, laced with a threat that he kept hidden well.

“What good is it if I can’t use it?” you croaked in response.

His lips curled into an amused smile as he heard your question, those soulless eyes finally ablaze with life, a flicker of something almost human.

“You can. Or, at least, I can make it so that you will be able to again.”

“Impossible,” you denied, knowing fully well that your body didn’t work the way you wanted it to, no matter how many times you have tried before.

“Don’t be so sure,” he persisted, his voice ringing almost melodic as he continued to fill your mind with ideas you couldn’t quite believe, “don’t you want to live your life again?”

You sighed into a nod, however not trusting the stranger just yet. There was something incredibly off-putting about him, seeming just a little too calculated and methodic, as if danger lurked behind his promising words.

“I mean, I want to, but…” you began.

“Sleep on it,” he told you, seeming to tease you as his widening grin revealed his teeth, “you were about to anyway, weren’t you?”

“Y-yeah, but-”

“Then do so,” he said, taking a step forward, “dream.”

The strange man’s words felt strangely hypnotic as you found yourself exhausted once again. A part of you wondered if this was some sort of hallucination already, perhaps one of those dreams that people could have as their bodies closed up shop, even if you did clock it as unfortunately real.

You closed your eyes as you let the pull of the void take you under once more, feeling the strangely familiar touch of unseen hands tugging away at your body once again, pulling your soul back up to the surface, preventing you from fading away. It was again that you felt haunted by a looming danger, your eyes blurring to focus awake.

When you finally properly awoke, you took immediate note that you weren’t in the hospital anymore despite being hooked up to similar machinery.

Where exactly were you?

As you sat up to make sense of your surroundings, your eyes scrolled around the room in a surge of desperation—your gaze begging for a clue, only for your stomach to drop as your body froze. Right by the door, he stood there, that same man from before with his creepy, unsettling smile.

“I will be honest with you though, you might not like what you’ll have to do,” the strange man spoke, his words flowing as smoothly as they did before.

“Which is…?” you asked, sounding a little resigned. Of course there was a catch, there always was.

“You’re going to be helping me with something.”

You blinked, “And that’s bad?”

“Given your prior alignment, I’d say so,” he smiled as he took a step closer, his fingertips brushing against your cheek, “but worry not, you will live should you accept.”

“But what if I refuse?” you dared to ask, your voice barely a whisper as his touch seemed to dampen your ability to speak.

“Don’t be silly,” he replied with a softer tone, his black eyes boring into yours as he intensified his unrelenting gaze—his smile falling flat, “I wouldn’t let you.”

(Not even if you tried to do so again and again.)

[frostedpuffs]

it's happening....I am...

Writing

[tyttetardis]

Macbeth Donmar Supporter's Zoom Conversation

On the 9th of May 2023 Donmar Warehouse held a Zoom "meeting" for supporters where Michael Longhurst talked about their two newly announced productions - Clyde's and Macbeth. This was a week before tickets went on general sale and before they announced that Cush Jumbo would be playing Lady Macbeth.

At the time it was all, of course, quite exciting since everything they revealed during the talk was brand new info! Most of which wouldn't be known at large until the play was being perfomed (or later). I think only about 80 people participated, most of which I think either worked for the Donmar or were members at much higher levels.

Today it's no longer new information as such, but I thought it might still be interesting to make a post about what was said during this talk :)

Michael first spoke about Clyde's (which I didn't actually listen much too) and then introduced Macbeth as their Christmas show (using the word Christmas "incredibly tenuously") saying the cast was yet to be revealed, but called it a beautiful ensamble piece, and that they were in the process of casting with the cast to be revealed "shortly".

He then went on to say that the casting that was revealed the week before made a bit of a spark - David Tennant coming to the Donmar to play Macbeth :) He mentioned it being directed by Max Webster since Michael was so impressed with how he did Henry V the year before. He said they had a joyful process of going to their favourite actors trying to match slots and titles to the actors that they love - and that they were thrilled that Mr. Tennant was stepping up to the Scottish play - "we felt it was time!"

"He [David] has obviousley given amazing Shakespearean performances - Hamlet, Richard II at the RSC - I, yeah, I think his verse speaking is frankly unparalleled, it's a thing of beauty. He's quicksilver, but he can push himself into the most extraordinary characterisations."

He went on to say that David and Max were deep into discussions about what this production should be. He said there's always Macbeths, but he thought what they would do so spectacularly would be to allow it to be a deeply psychological take on the play (facilitated/inspired by the Donmar's space).

He said they had a very exciting Lady Macbeth who would be announced in a week. He said she was a Donmar alumni who had a great Shakespearean set of works under her belt. He was thrilled to reunite her with David, saying that they had just done a TV series together. "So you can go do some subtle googling, but please don't share it" :P "It's amazing, they are gonna be a fierce combination!"

Someone then asked about whether the show would be streamed to which Michael said they were having conversations about it since there was a LOT of interest and they knew demand for this show with David would be incredibly high. So they would be doing everything they could to get the show streamed, it was their absolute ambition. Not least since it would be amazing to be able to share it with students. So they were in those conversations "as we speak". He later talks about it again - saying that streaming is a way of mass sharing, even if it can't recreate the experience of closeness at the Donmar. That they would try to secure screenings of it since they were aware it would be very popular "It's almost a curse of having such an intimate theatre - that when you program a star like that, it becomes huge".

Choosing to stage Macbeth was down to Michael and Max having a conversation about a short list of Shakespeare plays Max was keen to have a go at and them talking about various leading actors (later he expands on this as Max having had conversations with potential leading actors on which titles they were inspired with/ to perform - sorta like an Actors dating spree, 6 months ago) to decide which one would be the best one for this moment - "David's availibity created this window between two massive screen projects and it felt like the one to grab". Macbeth hadn't been staged at the "Donmar" since 1976 - with the legendary Dench and McKellen version. Michael said he thinks that the Donmar stage is the perfect space for Macbeth since "it allows the director and the lead actor to utterly hold a room of people in a way that'd be thrilling and terrifying, that you can't necessarily do in other spaces". He then said that he didn't think Max was interested in the witches and the supernatural as real entities but rather looking at psychological, trauma related reasons to explore those devices within the play. He also said Max was very passionate about making it very Scottish and that he had already been meeting with Scottish folk musicians to create his ensemble team. Also that he was very interested in Lady M being from outside the Scottish hiearchy - that she's be unafraid to challenge that Scottish status quo.

For Michael it's about "the synergy of an actor who should be playing that character - and that is Mr. David Tennant because he is one of our greatest verse speakers, let alone the greatest Scottish verse speaker".

He said that the production would definitely be a contemporary set. A modern dress Macbeth.

He then said that the reason he wanted to back Max as a director is that he thinks he offers a brand of total theatre that is really exceptional. There was a question about the music used in Henry V, and Michael said he just knew about the Scottish folk music and that music would be a part of the show, and that music is always a big part of Max's shows.

Someone then asked if they consult with scools on what plays they are studying in order to choose what they put on. Michael says they were obviously very aware of Macbeth being part of the curriculum and that being one of the reasons they thought this was "the text. And obviousley with David and his DW background, he brings a huge appeal and accesibility for young people who might find Shakespeare challenging - and you know, being brought into that story by someone they know and love so well is...you know we saw the effect happen on Henry V, 40% of people coming to the Donmar were coming for the first time when we had Henry V on - and it's thrilling to expand that connection, and we know David will do the same".

[johnslittlespoon]

can we get a little tas snippet? as a treat 🙏🏻

i cryyy yes u can, always! i never know if i should post more as i work on chapters bc i don't wanna spoil too much, but i also don't wanna be too inactive so <33 and might as well knock out the wip wednesday tags i've let build up all month oopsie! thank you @alienoresimagines, @nicijones, and @blixabargelds for the tagsss :')

“I just wanted you to know that I– that I didn’t change my mind,” John gets out, tracing his finger along a line on the kitchen table, stubbornly staring at the wooden surface, hastily adding, “y’know, if you didn’t either.” “That right?” John looks up at the question, watching as Gale turns to lean against the counter, bracing his hands on the edge of it, and John has to work to keep his eyes trained on Gale’s face. He nods meekly, tucking his sock–clad feet behind the legs of his chair to stop his own legs from bouncing. Gale smiles a bit and leans back, tilting his head. “You askin’ for something?” John’s face goes hot, and he feels like he’s been seen right through. His lips part, but he can’t get the words out; he can only blink up at Gale as he walks over to the table and leans on it in a near mirror image of the first time they’d spoken in the pub. “Hm?” Gale presses, and John nods again, eyes dancing around Gale’s face, heart mimicking the motions against his ribs. “You don’t have to ask, baby,” Gale tells him softly as he places a hand under John’s chin, tilting it up a little.

no idea who's been tagged already, it's been so long and i'm so behind on tag games ahhh, tagging @c-goldthorn, @air-exec, @stoneinyourshoe, @counting0nit, @eternallytired17, whoever else wants to <3

[cuz-reasons]

Summary: Emmet and Ingo go to the hospital.

That's the story! Thanks for coming along the ride! Also, it's a double update

[in-kaeya-we-thrust]

Yowamushi Pedal Ride 794: The Culmination Race

Original translation by @ywpd-translations

[gaygodlou]

Canny With The Flow

By: thinlines @thinlinez

Rating: Explicit

Pairing: Harry Styles/ Louis Tomlinson

Status: Completed 9k

Dedicated to Tricia and Riri

“Why don’t you ask for his number? Stop wasting our time. I could be home by now.” Niall complained.

“I can’t!” Harry screeched. He knew he was being dramatic, but he couldn’t handle a straight up rejection. He certainly didn’t want to scare the alpha and ruin his chances. “It needs to be natural. Our meeting… He has to fall in love with me naturally.”

“You are so weird.” Liam was shaking his head.

“What do you mean naturally? Asking for his number isn’t natural enough? Jeez!” Niall's grumble was already lost in Harry's ears.

OR Omega Harry brews a plan to bag his crush and executes it. Period.

This fic is a gift and also a part of an ongoing collection

[yuesya]

Update!

New chapter for zenith of stars is up!

Chapter 73 (update #78) has been posted.

FFN | AO3 | SB

[riacte]

I feel like I learned a lot about storytelling + "marketing" a story from Webtoon (the Webtoon from a few years ago when it was still decent). The way it worked was that 1) story blurb to draw in people 2) three initial episodes to get people invested 3) one episode per week. It showed the strength of a strong summary with a genre but without trope tags (unlike fanfiction) or describing your work as abc meets xyz (which seems to be what YA publishing does nowadays?). The three initial episodes introduces tone, artstyle, main characters, main plot, basic worldbuilding, and is supposed to quickly "hook" the reader. I like the format of three initial episodes (instead of one) because the first episode is usually different (given its main purpose is to grab the attention of new people), the other two gives you a taste of what a "standard weekly update" might contain.

I feel a lot of Webtoons start with a strong premise/ gimmick/ hook but they don't know what to do with it. And that's totally normal because some premises are better when shrouded in mystery and you have to do the hard work of explaining the mystery. I've read Webtoons that start with one premise, then it gets sidelined in the middle as new themes develop, and in the end you realise the "premise" was a marketing tactic to draw people in and the story is about something else entirely, but you stayed because it was still a good story, and you have no complaints. (Eg. I think people step into I Love Yoo thinking it's a romance, and the first bits do seem like a set up for romance, but it turns out the genre is drama and the romance is a slooooooow burn.) I've read Webtoons that start with one interesting premise, then it fizzles away and turns into a rather standard story for its genre to the point the hook is barely relevant when it was what made it stand out. And on the rare occasion you will find a Webtoon that has its premise, develops the plot from there, sticks with its themes, and the ending is thematically resonant. (I think Cursed Princess Club does a good job at this.) But it's difficult to craft a very consistent and coherent story (especially given the serial format), so it's fine to just kinda sideline or even ditch your premise so long the actual main plot is solid. Your premise is what initially got people reading, but they'll get invested in other things. Maybe you even have to manually create a hook and get into the meat later once your readers are properly invested. But I feel most of the time it's otherwise because you can get a really cool idea but NO CLUE on how to end it and it sucks because either you drag on or give it an unsatisfactory ending. The good thing is that you get a "buffer zone" in which readers are still interested in reading due to the premise/hook and you get the time to properly work things out.

So I don't think a premise has to be completely executed and explained in order for a story to be compelling. If it does its job of bringing in new folks and convincing them to stay long enough to get invested in style/tone/plot/characters/relationships/whatever, sometimes it's easier to let the premise go. Sometimes you want a tonal shift. But at the same time, a premise is so useful for marketing purposes. You can talk about what tropes it has and what media it's influenced by, but what is the story actually about?